Almost thirty years that the Dinan Rencontres Internationales de Harpe Celtique has been organised (read the post and see Myrdhin's interview on the subject). Forty-five musicians from all over the world came to the recent festival and performed one after the other all along the four big evenings. The public was invited to a wide range of colours, of forms and sound ambiances ever created. A distinct musical world exists behind each harp, behind each musician, like the instrument diversity presented on stage. The Celtic harp is rich with those differences.
Ten years ago, for its 20th anniversary, the Rencontres Internationales de Harpe Celtique ("International Celtic Harp Meeting") of Dinan in Brittany already impressed by inviting about twenty - all male - harp players. To celebrate its 30th edition, it's not thirty but more than forty musicians who are invited to the next Meeting. This year, the festival complies with an almost exemplary mixing of the genders as well as with an international, intergenerational, "intermusical" mix of artists in order to bring more people together. From the 10th to the 14th of July, the rendezvous of Celtic harp players will be in Dinan. (more…)
The Scottish Harp Anthology is a unique collection in three volumes of traditional tunes in arrangement and new compositions by about twenty Scottish or Scottish based harp players: Cheyenne Brown, Gillian Fleetwood, Maeve Gilchrist, Rachel Hair, Corrina Hewat, Emily Hoile, Màiri MacLeod, Mary Macmaster, Karen Marshalsay, Marie Louise Napier, Rachel Newton, Hannah Phillips, Ailie Robertson, Fiona Rutherford, Patsy Seddon, Wendy Stewart, Fraya Thomsen, Heather Yule and myself, since I was living in the country at that time.