It was a year ago ! On the 11th October 2015, at the Espace Glenmor in Carhaix, more than four hundred people came to celebrate the official launch of the Breton Harp Anthology (Antologiezh Telenn Breizh). Among them, twenty-two contributors to the anthology came (in alphabetical order): Nolwenn Arzel, Anne Auffret, Hoëla Barbedette, Dimitri Boekhoorn, Dominig Bouchaud, Nikolaz Cadoret, Jakez François, Muriel Isambert, Florence Jamain, Soazig Kermabon, Tristan Le Govic, Françoise Le Visage, Mael Lhopiteau, Cristine Mérienne, Pierre Nicolas, Soazig Noblet, Nolwenn Philippe, Anne Postic, Gwenola Roparzh, Clotilde Trouillaud, Quentin Vestur and Marie Wambergue.
The Breton harp anthology, Antologiezh Telenn Breizh, is out. This is a unique collection of three music books dedicated to the Celtic harp featuring the best harpists in Brittany (in alphabetical order): Nolwenn Arzel, Anne Auffret, Hoëla Barbedette, Brigitte Baronnet, Yann Bertrand, Dimitri Boekhoorn, Dominig Bouchaud, Aurore Breger, Nikolaz Cadoret, Grégory Cappoen, Georges Cochevelou, Jakez François, Armelle Gourlaouën, Muriel Isambert, Florence Jamain, Gwenael Kerleo, Soazig Kermabon, Mariannig Larc'hantec, Tristan Le Govic, Anne Le Signor, Françoise Le Visage, Mael Lhopiteau, Cristine Mérienne, Martine Millet, Myrdhin, Pierre Nicolas, Soazig Noblet, Kristen Noguès, Nolwenn Philippe, Anne Postic, Hervé Quefféléant, Pol Quefféléant, Gwenola Roparzh, Alan Stivell, Vinciane Tronson, Clotilde Trouillaud, Quentin Vestur and Marie Wambergue.
Dimitri Boekhoorn always surprises us with his versatility as a musician. On stage, with a dozen harps, of different times, sizes and sounds, with wire strings (brass, bronze, steel), horsehair, ancient gut, in synthetic materials (nylon, carbon), historical harps from the Middle Ages or modern instruments created from scratch, he travels time, space, and music. He still surprises us when he presents a real mystery: a harp with golden strings. Answers from him:
Ten Celtic harps performing on stage, a forty-five minutes of music specially composed for them is something quite unusual and noticeable to be presented. Commissioned for the 30th anniversary of the Edinburgh International Harp Festival, this work was revealed as some of the most creative music ever written for the Celtic harp, a crazy bet taken up by Corrina Hewat.