Ten years ago, for its 20th anniversary, the Rencontres Internationales de Harpe Celtique ("International Celtic Harp Meeting") of Dinan in Brittany already impressed by inviting about twenty - all male - harp players. To celebrate its 30th edition, it's not thirty but more than forty musicians who are invited to the next Meeting. This year, the festival complies with an almost exemplary mixing of the genders as well as with an international, intergenerational, "intermusical" mix of artists in order to bring more people together. From the 10th to the 14th of July, the rendezvous of Celtic harp players will be in Dinan. (more…)
The Scottish Harp Anthology is a unique collection in three volumes of traditional tunes in arrangement and new compositions by about twenty Scottish or Scottish based harp players: Cheyenne Brown, Gillian Fleetwood, Maeve Gilchrist, Rachel Hair, Corrina Hewat, Emily Hoile, Màiri MacLeod, Mary Macmaster, Karen Marshalsay, Marie Louise Napier, Rachel Newton, Hannah Phillips, Ailie Robertson, Fiona Rutherford, Patsy Seddon, Wendy Stewart, Fraya Thomsen, Heather Yule and myself, since I was living in the country at that time.
Two weeks before one of the main harp events of the year, there’s still time to book your holidays to Scotland. For more than thirty years (see the article Song of the Oak and the Ivy), the Edinburgh International Harp Festival invites musicians from all over the world with Edmar Castaneda and Park Stickney, among the stars of the present edition.
Ten Celtic harps performing on stage, a forty-five minutes of music specially composed for them is something quite unusual and noticeable to be presented. Commissioned for the 30th anniversary of the Edinburgh International Harp Festival, this work was revealed as some of the most creative music ever written for the Celtic harp, a crazy bet taken up by Corrina Hewat.