Sharp lines, pure elegance of shapes carved in matter, interlacing and dragon sculptures at the top: Richard van Rhijn's harp seems to come straight from the heart of Celtic legends. And like in legends, a secret surrounds the magical instrument. Eighty centimetres high, the smallest harp played on stage during the recent Rencontres Internationales de Harpe Celtique has a name: Airéelle1. Twenty-five kilos but only nineteen metal strings. One more clue to decipher the undecipherable: the harp is made in stone. (more…)
Created in 2003 by the Comité des Rencontres Internationales de Harpe Celtique (CRIHC – Committee of the International Celtic Harp Meeting), driven by Myrdhin and Zil, Ti an Delenn (the Harp House) celebrates its 10th anniversary this year. Storefront of the summer festival but also resource centre, exhibition hall, meeting place and shop, the Harp House organises events all along the year. Hélène Chapillon and Ingrid Malot are the two permanent staff members of this unique place in the world which was created thanks to support provided by the city of Dinan.
In one week, the 30th edition of the Dinan Rencontres Internationales de Harpe Celtique will be launched (see the post dedicated to this subject). The artistic director and founder of the festival, Myrdhin, gave us an interview in which he talks about the creation of the Rencontres, the important years and the present edition.
Within the framework of the exhibition "Babel" presented at the Bibliothèque de Rennes Métropole and the exhibition "Migrations" in the Musée de Bretagne (see the article dedicated to this subject), Lise Enochsson and I were programmed for the closing concert of the season at the Champs Libres of Rennes. In this extract filmed by Johann Guillon we play, in order, a march followed by a set of Gavotte Pourlet, a traditional Scottish air translated into Swedish Calum Sgaire and a traditional Breton air N’em es ket nameit ur blank.
Ten years ago, for its 20th anniversary, the Rencontres Internationales de Harpe Celtique ("International Celtic Harp Meeting") of Dinan in Brittany already impressed by inviting about twenty - all male - harp players. To celebrate its 30th edition, it's not thirty but more than forty musicians who are invited to the next Meeting. This year, the festival complies with an almost exemplary mixing of the genders as well as with an international, intergenerational, "intermusical" mix of artists in order to bring more people together. From the 10th to the 14th of July, the rendezvous of Celtic harp players will be in Dinan. (more…)